Mab and Johnny lay on quite the spread for their listeners
at Waterloo Tea, this Tuesday, 21 October, with lashings of wine and nibbles on the tables. Of course, there is much to celebrate. This is the Cardiff launch of two excellent
poetry collections, with Mab celebrating the release of her first book of
poetry, Poor Queen, and Johnny promoting his first pamphlet, Chalk Outlines.
The publication of Poor Queen has been a long time coming, some
of the poetry within it being over five years old. Mab starts with a few of these older works,
including “Beautiful Girl”, dedicated to Ogden Nash (and echoing his style), “Cardifference”
and “No Maybe Baby”. “I used to be
obsessed with rhyming” Mab says. It was
interesting to hear the progress of the poetry over the years, from the bawdy,
politically charged poems of earlier days on the burlesque circuit, into
something a little more slower paced, more thoughtful. She reads “Pulp Fiction”, which she claims she
wrote in her sleep, just before last year’s Made in Roath:
Pulp Fiction
Take your experience
And peel it. Pull back the skin
And drop it to the floor
Like a skirt.
Next, the pulp,
Firm and glistening as a heart.
Crush it.
Finally, find the pips,
As smooth and honest
As bullets. Swallow them,
Like medicine.
Writer, you are ready.
Begin.
And peel it. Pull back the skin
And drop it to the floor
Like a skirt.
Next, the pulp,
Firm and glistening as a heart.
Crush it.
Finally, find the pips,
As smooth and honest
As bullets. Swallow them,
Like medicine.
Writer, you are ready.
Begin.
There are some particularly touching lines in ‘Millionaire’,
which Mab has dedicated to Johnny – a poem worlds away from “Cardifference”. “I love you because you choose millionaire’s
shortbread from the cafe counter, and we both know you will never be a
millionaire.” Some of the more intimate
lines are also pretty hilarious – as most of Johnny’s family are in the
audience.
At just twenty-one, Johnny’s poems show an astonishing level
of maturity, and cover a wide range of subjects – war (“I’ve read too much
Wilfred Owen to glorify”), poetry, bankers.
He even covers the Myth of Orpheus, retold with a new protagonist – Jimi
Hendrix, of course (“Eurydice, that fair Foxy Lady” – brilliant).
He also explores his battles with addiction and his breakdown
last year, which are covered in his poetry with a staggering honesty. “Good Fox, Bad Fox”, for example, has an
Aesop’s fable feel to it – one fox succeeds, the other fails, although both
suffer from the same temptation – hinting at the two paths which Johnny’s life
could have taken. Although sometimes
cynical, there is a strong morality and heart to this poetry. All in all, these two make a formidable poetic pairing.
***
***
Chalk Lines by Johnny Giles is a handmade, limited edition
chapbook produced by Blackheath Books, available here: http://www.blackheathbooks.org.uk/8.html
Poor Queen is Mab Jones’ first book, published by Burning
Eye Books, and is available on her website, here: http://www.mabjones.com/purchase
More info on Johnny here: www.facebook.com/johnnygilespoet
More info on Mab here: www.mabjones.com
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